The End of Year Round-Up: 2015 edition

Is December already drawing to a close? I can scarcely believe that it is now time to start penning the end of year review, list my favourite albums of the past twelve months, and compile the traditional end of year mix cd. 2015 has genuinely disappeared in the blink of an eye. I suppose this is to be expected given all that has happened; the relocation from Bristol to Birmingham, buying and decorating a new house (phase 1 of the decoration saw 5 rooms decorated and completed, and phase 2 will be commencing in January), and becoming a father. I’d like to think that the above constitutes a reasonable level of activity.

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The parlour guitar build has been the main focus of 2015

Amongst all of this, I also found time to set up a new workshop, make some shavings, and keep writing. The new workshop has turned out to be ideal, and having given myself some time to settle into the new space I have made a few changes and additions since my original workshop tour, which I will write about separately. In terms of projects completed, 2015 is a little thin on the ground, although a lot of progress has been made on the parlour guitar, and I should be in a position to assemble this guitar in the next couple of months. I also managed to secure a new paying commission (the Mystery-Caster) and came close to bagging a paying commission from one of my favourite musicians (in the long term I’m hoping this one will still come to fruition).

2015 saw seven of my articles published in Furniture & Cabinetmaking, and the blog has had nearly twice as many views when compared to 2014, as well as introducing the new “Getting to Know…” feature (which I hope to continue into 2016).

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Peter Follansbee contemplates swiping my Hieronymus Bosch print Docs…

I had the pleasure of meeting both Peter Follansbee and Tom Fidgen, as well as taking Roy Underhill’s Woodworking with Thomas Jefferson class. Learning from Roy for a week was an incredible experience, and helped to develop all manner of parallel skills. Peter, Tom and Roy are not only incredibly knowledgeable, but also very generous with their knowledge, and I highly recommend taking a class (or simply just chatting with them) if ever the opportunity presents itself.

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Roy and Esmerelda become acquainted.

The other highlight of the year was of course exhibiting at the European Woodworking Show in Cressing Temple, and it was wonderful to get to meet so many inspiring makers and tool manufacturers, as well as people who read the blog (or my articles), and to spend two days chatting about woodwork face to face. Thank you so much to everyone who came and said hello during the two days.

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The “Community Is…” project in many ways defined 2015 for me. Thanks to all the contributors (including Chris Schwarz – pictured here)

And this very neatly brings me to the real highlight of 2015. Which is not projects built or achievements unlocked, but rather the sense of community in the woodcrafts. Lutherie always used to be a very solitary activity for me, but particularly over the past 12 months the online community through Instagram and the blogosphere, then reinforced through events such as EWS, has meant that I find myself within a wider community of craftspeople. And this has had the effect of enriching my time in the workshop, situating my work within broader practices and traditions, and providing new opportunities to learn and question. The community is made up of so many wonderful craftspeople that mentioning individuals seems like a foolhardy endeavour. However special mention must go to James McConnell whose Daily Skep blog debued this year, and is rapidly becoming one of my favourite woodwork blogs(seriously, I read James’ blog and wonder if there’s any point in me writing anything ever again). Again, EWS provided a wonderful opportunity to put faces to names and to connect with members of the woodworking community in person.

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Finally meeting Vic (Minimalist Woodworker) in person was one of the highlights of EWS

Looking forward to 2016, there will be more articles in Furniture  Cabinetmaking, in addition to which I hope to be able to announce a very special article for another publication in the coming months. In the workshop, my focus will be on finishing the parlour guitar, and also building the Mystery-Caster, both of which will be covered in detail on this blog. A number of teaching opportunities have presented themselves, and consequently there is also the possibility that I will be let loose on unsuspecting woodwork students – more details to follow once I have them. So plenty to keep me occupied, and 2016 is shaping up to be a very exciting year!

And to finish where we started, my top five pick of new releases from 2015 (in case anyone was wondering) in order, are:

  1. Banditos – Banditos
  2. Nashville Obsolete – Dave Rawlings Machine
  3. Edge of the Sun – Calexico
  4. Meta-Modern Sounds in Country Music – Sturgil Simpson
  5. No Cities To Love – Sleater-Kinney

Happy New Year, dear reader, catch you in 2016!

European Woodworking Show 2015

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It’s hard to believe that the European Woodworking Show finished a week ago now, and I am typing this one handed while pinned to the sofa under the apprentice as she gently snores (even more incredible is that she is 5 weeks and 3 days old already). Last weekend was a huge blast, despite the 3am alarm clock on the Saturday morning. Thank you so much to everyone who stopped by my stand to say hello or to talk about lutherie.

The show really was an incredible event. I wasn’t entirely sure what to expect, as I’ve not demonstrated at a woodwork show before, and unlike most of the demonstrators there, I wasn’t really selling anything (other than myself). As it happened, I didn’t have any opportunity to work on the parlour guitar over the course of the weekend, as I had a constant stream of people wanting to look at Esmerelda and the tool chest, talk about some of my recent articles in Furniture & Cabinetmaking, and generally talk about lutherie and furniture making.

One medium sized SUV can take an Anarchist's Tool Chest, guitar, 4ft bench, overnight bag, and still have plenty of spare room.

One medium sized SUV can take an Anarchist’s Tool Chest, guitar, 4ft bench, overnight bag, and still have plenty of spare room.

One of the highlights of the show for me was getting to catch up with so many good friends, and to meet other makers, including some of the people behind my favourite tools. This networking has inevitably opened up new opportunities, which I hope to be able to write about on the blog in the coming months. But for now, expect a couple of exciting new articles, a forthcoming blog collaboration project with the Minimalist Woodworker, and also the opportunity to come and learn some lutherie techniques from me in the classroom. All of which I am greatly looking forward to.

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Catching up with good buddy Vic Tesolin

The quality of participants at EWS was of an incredibly high standard (where else does Sunday morning start with David Charlesworth trying out one of your guitars?), and I was honoured to be invited to take part in the show.  The following is just a sample of the folk I enjoyed meeting and talking to over the course of the weekend (and apologies to anyone I didn’t get a photo with, I will be sure to make amends at EWS 2017!).

My stand was directly opposite the lovely people from Skelton Saws. Shane makes some incredibly nice saws, and has some exciting new products in the pipeline, do check his work out!

My stand was directly opposite the lovely people from Skelton Saws. Shane makes some incredibly nice saws, and has some exciting new products in the pipeline, do check his work out!

The marking knives, awls and mallets by Bluespruce Tool Works are in constant use in my workshop, so it was lovely to meet the good folk behind these wonderful tools.

The marking knives, awls and mallets by Blue Spruce Toolworks are in constant use in my workshop, so it was lovely to meet the good folk behind these wonderful tools.

David Charlesworth playing Esmerelda. Just something that happens at EWS, apparently. And no, before you ask he didn't use the ruler trick on her.

David Charlesworth playing Esmerelda. Just something that happens at EWS, apparently. And no, before you ask he didn’t use the ruler trick on her.

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Oliver Sparks is undoubtedly one of the most exciting British talents to watch at the moment. You best believe that I’ll be ordering some of his planes pretty soon.

English woodworking royalty stopped by my stand to talk about minimal tool kits, traditional workshops, and guitar building! Having followed the English Woodworker for a long time, it was great to meet Richard and Helen in person.

English woodworking royalty stopped by my stand to talk about minimal tool kits, traditional workshops, and guitar building! Having followed the English Woodworker for a long time, it was great to meet Richard and Helen in person.

Ron Hock - the man who made me really understand sharpening. Truly knowledgeable, and thoroughly lovely chap.

Ron Hock – the man who made me really understand sharpening. Truly knowledgeable, and thoroughly lovely chap.

Great to catch up with Jamie Ward (c) and Steve (r).

Great to catch up with Jamie Ward (c) and Steve (r).

I’m already booked in for EWS 2017, and will have the apprentice with me for that show (child labour laws say it’s fine to have 2 year olds working for you, right?). So look forward to seeing everyone there in two years!

Sounding off about… design choices

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The parlour guitar has presented some interesting design choices, particularly with regards to the soundhole decoration. I don’t have the design chops of George Walker (oh but I wish I did) but I do take the design of my guitars seriously and I thought I would write about some of these decision here.

When laying out the soundhole decoration for full sized guitars I try to follow several rules of thumb. The outside circumference of the decoration should meet the corners of the fretboard, with the end of the fretboard falling over the top section of the decoration. The length of the fretboard is calculated as being the number of frets desired for the particular guitar plus an extra fret’s worth of fretboard material (so for a 22 fret guitar the fretboard would be 23 frets long).

However these rules of thumb do not all work for the parlour guitar due to the smaller body size. The parlour guitar has a 90mm diameter soundhole (compared to 100mm diameter for a full sized guitar) and 18 frets. But setting the diameter of the soundhole decoration large enough to meet the corners of the fretboard would be in danger of visually swamping the smaller body of the guitar. After drawing various mockups of the decoration, I decided to extend the fretboard so that the end meets with the edge of the soundhole. This allows the soundhole decoration to meet the corners of the fretboard, but on a tighter 106mm outside diameter which remains proportionate to the size of the body.

The decoration itself is a 4mm wide band comprising 0.6mm ebony banding on each circumference, with 2.4mm inlay in between the ebony. The main inlay blocks are eleven alternating ebony and mother of pearl pieces (the ebony blocks are shaded black in the above drawing).

I will be cutting and installing the inlay at the European Woodworking show on 12 and 13 September, so stop by my bench at the show and watch it unfold in real time!

A Gentle Reminder

The European Woodworking Show is now just over 2 weeks away, and if you have not already bought your ticket you really should. The line up is stellar this year (in particular I’m looking forward to catching up with my good buddy Vic Tesolin, and meeting David Jeske, Chris Vesper, and hopefully Richard Maguire) and the show is promising to be the highlight of the 2015 UK woodworking calendar.
EWS Posters A4 2015 jpeg

I will be at the show both days, working on the parlour guitar and demonstrating some lutherie techniques, so please do stop by my bench and say hi.

Over the Wireless On Tour: European Woodworking Show 2015

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I am very pleased to announce that I have been invited to pitch up my bench at the European Woodworking Show at Cressing Temple on 12 and 13 September this year!

I will be working on the parlour guitar and demonstrating some lutherie techniques over the course of the weekend. I also plan to have both my Anarchist’s Tool Ches and Esmerelda in tow.

If you are planning to attend EWS 2015 then please do take the time to stop by my bench and say hello; it will be great to meet new readers and say hi to some old friends.