Karl Holtey profile in Handplane Essentials


Over the past 5 years I’ve found the first edition of Chris’ book Handplane Essentials to be an invaluable reference, so when he announced last year that he was working on a revised second edition I knew I would have to pick up a copy. What I didn’t realise, until an eagle-eyed reader at EWS 2017 told me, was that along with a lot of new content by Chris the 2nd edition of Handplane Essentials also contains my profile on Karl Holtey.

My copy arrived last week, and although I have only had a brief opportunity to flick through it so far, my first impressions are that the second edition builds on what was already an excellent body of reference material. To have one of my articles included in this collection is a real thrill, and I’m looking forward to stealing some time to read the new edition in depth. Handplane Essentials can be found in the Popular Woodworking store here.


Button Pins, Stickers and T-shirts


Have you ever felt the need to fly the OtW flag, but it’s laundry day and your tee is in the wash? Well, help is at hand because I’m now stocking these delightful 1.5″ OtW button pins. As a teenage music fan in the 90’s, button pins were an integral part of music fandom, and my guitar strap was host to a constantly rotating cast of button pins by my favourite bands. So I am really pleased to have a limited stock of branded pins.


Speaking of tees, I still have a couple of sizes left in both British Racing Green and Cardinal Red, as well as sets of stickers. Tees are priced at £20, stickers are £3 per set, and button pins are also £3 (all prices exclusive of shipping). I’ll also do some bundle deals for folk who order a tee with stickers or button pin. As always, to order or make an enquiry, drop me an email at kieran at over the wireless dot com.


Book Report – the OtW Top 5 Picks for Woodworking Knowledge

My first introduction to handwork was in a formal class environment at the Totnes School of Guitar Making. In contrast, save for two week long classes through New English Workshop, all of my furniture building has been self taught through trial, error, and judicious amounts of reading. I’ve always been a voracious reader, and so it was inevitable that as I became more invested in woodwork I would start to build up a healthy reference library. A common question posed on forums and social media (as well as, you know, actual human to human interaction) is what woodwork books are worth reading, especially from the perspective of the beginner. Vic wrote a thought-provoking post on this very subject a couple of years ago.


This is why I need to build the boarded bookcase from The Anarchist’s Design Book – half of my woodwork library is currently languishing on this Billy bookcase from IKEA, and the remainder is still boxed up.

So, I thought it was about time that I threw my hat into the ring and offered up my five essential woodwork texts. This bost has been percolating at the back of my mind for ages, and to be honest whittling the list down to my top five picks felt like a really tough challenge. There is a huge volume of woodwork reading material out there, and it pains me to omit Roubo, Moxon, Hayward, or Krenov (especially Krenov). So this list is a starting point, and not a list of the only books you need to read. It also reflects some of my enduring pre-occupations with woodwork, namely how to make the crafts accessible to new entrants, which a woodworker more inclined to other matters, might skip. I’ve also focused on furniture making rather than lutherie (otherwise Bob Benedetto’s excellent book on archtop guitar making would have found a slot). But without further ado…


The Anarchist’s Tool Chest – Christopher Schwarz

The inclusion of this title will be a surprise to exactly no one. The Anarchist’s Tool Chest was such a pivotal book for me (and countless other woodworkers) when I first read it. Chris made a critical leap by linking the philosphy and practice – expressing exactly what it was about woodwork that appealed to me, and then identifying exactly how to go about it. And while the tool chest itself may have been a literary conceit, Chris offers a much needed antidote to the forums which insist you cannot build anything until you have a well appointed machine room in addition to bulging lists of handtools. The book thoughtfully guides you through a compact tool kit which will cover nearly all furniture building needs, and explains how to separate used tools worth buying from tool-shaped junk. In short, The Anarchist’s Tool Chest equips the reader with the motivation to make things by hand, and the means to execute those ideas.

If I could only have one woodwork book, this would be it. The following passage sums up the power of this book, and the thrill I still get everytime I lift the lid on my Anarchist’s Tool Chest: “The mere act of owning real tools and having the power to use them is a radical and rare idea that can help change the world around us and – if we are persistent – preserve the craft”.


The Joiner and Cabinet Maker – Anon

I’ve written about the The Joiner and Cabinet Maker previously, but it would be impossible to write this list without including this book, so it’s worth explaining again.

The story of The Joiner and Cabinet Maker follows a young lad called Thomas through his mid-nineteenth century apprenticeship, and covers in great detail three projects. The first is a packing box (which I also wrote about here). Then follows a school box at the mid-point of his apprenticeship, and finally a chest of drawers before Thomas becomes a journeyman. By following a progression of projects chronologically, we see Thomas start out with only a few tools and using them to learn key skills to build simple items, and then growing his tool kit and his skill set. Building along with Thomas offers an opportunity to build skills in a structured and organised fashion, and to invest in a tool kit on an as needed basis, organically and cost efficiently.

If you have never built anything out of wood, I would suggest starting with this book, and building all three projects in order, only using the tools and techniques mentioned in the book. That would give you a compact (and affordable) tool kit and a solid set of the fundamental skills needed to build a wide variety of furniture. I still haven’t built the chest of drawers from The Joiner and Cabinet Maker, but I plan on doing so as soon as I have a clear slot in my workshop calendar.


The Perfect Edge – Ron Hock

I’m not sure any subject in woodworking carries as much voodoo or conflicting information as sharpening. Which is nuts, because really sharpening is ancillary to the fun of working wood. Sure, humanity is wonderful in its variety, and there are probably folk out there who just sharpen things as a hobby. Me, I really like making tools blunt by using them (and then I have to sharpen them again, dammit). But it is nigh on impossible to do woodwork until you can sharpen properly – sharpening is one of the fundamental gateway skills. Fortunately, Ron has written a book which explains metallurgy, the science behind sharpening, and the various sharpening options, in a way that is clear and free of voodoo. I’ve never read any other books or articles on sharpening  because I’ve never needed to – with Ron’s clear guidance I can get a razor edge on my tools quickly, and back to the business of working wood.


Making Things Work Nancy Hiller

This book won’t teach you how to cut a perfect dovetail, or how to design your dream cabinet, but what it will do is give an incredible insight into the life of a professional woodworker. Nancy is an entertaining and thought-provoking writer who recounts annecdotes gathered over the course of her career with humour and insight, exploring why people are motivated to make things with their hands as well as the hard reality of what that career can entail. When I started formulating this list I knew I needed to include something which spoke to the why of woodwork as much as the how. Written from the perspective of a life dedicated to craft, and with a sharp eye for detail, this book fills that slot (and pipped The Impractical Cabinetmaker by Krenov to the post).


The Minimalist Woodworker Vic Tesolin

Want to try woodworking but don’t have a workshop or a tool kit? Worried about the space and cost demands of embarking in the woodcrafts? Let Vic be your guide. I’m all in favour of anything that can lower the entry bar to woodwork, and Vic’s book should frankly be essential reading for all aspiring woodworkers. Through the course of the book, Vic explains how to set up a work space, identifies a minimal tool kit, and walks the reader through a series of projects building essential shop fixtures (a workbench, tool storage, and bench appliances) to develop the skills to use those tools. The quality of photography is great (poor photographs in woodwork books is a particular bugbear of mine – for some reason lutherie books often contain the worst photos, although I’m never sure why) and the book is written in Vic’s customary no nonsense style.

Dispatches from Carmarthenshire

I’m now back home from rural Wales and reflecting on what was a very productive week at Chris Williams’ workshop. The five days yielded a beautiful chair made by Chris (which other than a lick of paint, is now complete), nearly 700 photographs, and endless pages of detailed notes on the build process. Everything we need to now write the “make a stick chair” section of The Life & Work of John Brown. This feels like a huge milestone. A big thanks must, of course, go to Chris Williams. Over the course of the week Chris not only built a beautiful chair, but he maintained good humour when asked to hold awkward positions for repeated photographs, and answered all of my questions patiently and with clarity. His generosity with his knowledge and experience is what makes this book possible


And that’s a wrap!

I’m still sifting through the photos (and it will take a couple of days to properly survey everything) but in the meantime, here is a taster of what you can expect from the book.


Saddling the seat with an adze


Stick shaping with a draw knife


Scraping the arm


Cutting the swan neck on the doubler


Drilling the seat


Paring the sticks flush to the arm


Completed arm

Lights! Camera! Action!


A final test of the lighting rig before I load the car.

While I’ve not posted an update on the progress of the John Brown book for a while, behind the scenes we’ve been working hard on interviewing people who knew (or were influenced) by Chairman Brown, investigating historic examples of Welsh Stick Chairs (see my article for Furniture & Cabinetmaking this month for a beginner’s guide to the chair form), and working out how exactly we are going to structure the book.

Today I am heading down to Carmarthenshire to spend a week with Chris Williams. We will spend the next week hunkered down in Chris’ workshop – him building a Welsh Stick Chair while I photograph and document the process for the book. This will form the basis of the “Build a Welsh Stick Chair” section of the book, a section we started last year with our trip to the timber yard. Over the course of the next week, we hope to be able to capture how John Brown built his chairs, but also how the chair design has continued to evolve in the years Chris has been buiding them since John’s death, and why Chris has changed some of the techniques he uses to build them. Researching these chairs over the past year has highlighted how dynamic a form they are – they constantly evolve maker to make, and often chair to chair. We hope over the course of the next week to be able to lift the lid on some of that process.

At the end of the week we should then be in a position to write the “Build a Welsh Stick Chair” chapters, and a substantial element of the book will be complete (at least in draft form). And so I’m looking forward to setting out westwards this evening. Not just because this represents a major milestone in the development of the book, but also because of the opportunity to learn first hand from Chris – to watch how he crafts his beautiful chairs and to ask questions about the process, the evolution of his approach, and his relationship with John Brown. The next five days or so promise to be a real education, one which we plan to share with you through the book.


The chairmaking chapters will explain how to turn a set of timber like this, into a Welsh Stick Chair, and also how to source the timber in the first place.

All Assembly Required

or: The Anarchist’s Office Suite, Phase 2

The staked desk was the first of three pieces for my office, and by the summer I will hopefully have completed the remaining two projects – a boarded book case and a staked chair, both from the Anarchist’s Design Book, and both in maple to match the desk.

Because my workshop is unheated, I tend to tee up projects a couple of months in advance of when I plan to start them – breaking stock down to rough dimension and then stickering it in the house to acclimatise until I’m ready to get building. Before I can work on the book case , I am writing (and building) a project article for Popular Woodworking, scheduled for the October issue later this year. But in the meantime, and before I started working on the piece for PopWood, I took some time to prepare the stock for the bookcase and chair.


Breaking maple boards down with the Skelton Panel Saw

When marking rough timber to length I prefer a timber framer’s square, and a chunky carpenter’s pencil (my saw *ahem* addiction means that I have a healthy supply of the carpenter’s pencils Bad Axe include with each saw), while rip cuts are easily marked out with a chalk line. Although this is not tricky work, I tend to take it quite slowly so that I can look over the boards carefully and make cuts to avoid knots or other defects. Once the boards have been marked out, and triple checked that the lengths are correct (including an extra inch or so to allow for any end checking that may occur), onto the saw benches they go to be broken down. Sawing the stock is straight forward – my Disston D8 handles rip cuts while the Skelton Panel Saw cross cuts stock to length.


Stock preparation tools – Skelton Panel Saw, timber framer’s square, and carpenter’s pencil

After breaking the boards down I left them in the workshop for a week or so before stickering them in the house. I find that this staged process of cutting to rough length and width, resting in the ‘shop, and then moving into a heated environment avoids shocking timber and so reduces drying related movement or checking. Once I’ve finished the project article for PopWood, it will be onto the book case, which will provide a home for the remainder of my books and research materials currently languishing in boxes on the floor. And finally, the chair. Slowly but surely, the office suite is coming together!


In this pile of maple is a boarded bookcase, just waiting to be assembled.

Welsh Stick Chairs – A Beginner’s Guide

If you’ve been waiting for an update on the John Brown book, then you might want to pick up issue 268 of Furniture & Cabinetmaking (which went on sale yesterday). Issue 268 carries my “Beginners Guide to Welsh Stick Chairs“, featuring photos of historic examples, and chairs by John Brown, Chris Williams, and Chris Schwarz. As always, the rest of the magazine contains a bumper crop of projects, reviews, and tricks of the trade.